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1. INTRODUCTION
The protection of personal data is a priority of Ágora – Cultura e Desporto do Porto, EM., S.A. (hereinafter referred to as Ágora). The adopted privacy and personal data protection policy clarifies which personal data are collected, for what purposes they are used, which principles guide the use of such data and the rights that their holders enjoy.
Ágora is a local company of a municipal nature, endowed with statutory, administrative and financial autonomy, incorporated on September 29, 2006 (then as Porto Lazer E.M.), whose share capital is fully owned by the Municipality of Porto, under the terms of the Legal of Local Business Activity and Local Participations.
Its corporate purpose is the promotion and development of culture, physical activity and sport, other entertainment activities in the City, as well as the promotion and development of brands associated with the City of Porto, in addition to activities determined by the management of the spaces and equipment that are under its management.
2. CONTEXT
This policy applies to all those who, in any way, have a relationship with Ágora.
3. RESPONSIBLE FOR DATA PROCESSING
As the person responsible for processing the data entrusted to it, Ágora:
– Ensures that the processing of personal data is carried out within the scope of the purposes for which they were collected or for purposes compatible with the initial purposes;
– Assumes the commitment to implement a data minimization culture in which it only collects, uses and conserves necessary personal data;
– Does not disclose or share personal data for commercial or advertising purposes.
4. HOW PERSONAL DATA ARE USED
Ágora uses the personal data provided in an application, communication, complaint, participation or on the website, to respond to requests received, as well as for statistical purposes, continuity of service and participation in events.
In addition, it collects the information provided by its interlocutors, such as comments, suggestions and criticisms/complaints, with a view to constant improvement.
5. PERSONAL DATA COLLECTED
The personal data collected depends on the context of interactions with Ágora, within the scope of its activity.
The data collected may include the following items:
Identification:
– Name
– Age
– Tax identification number
– Citizen Card/Identity Card Number
– Social Security number
Financial/Payment Data:
– Bank identification number
Institutional data:
– Institutional email
Contacts:
– Household
– Email address
– Phone/mobile number
Image:
– Image of security cameras
6. PERSONAL DATA OF MINORS
The personal data of minors, the collection and processing of which does not result from a legal basis or from the exercise of public interest/public authority functions, will only be collected and processed with the express consent of the holders of parental responsibilities or guardians. Holders of parental responsibilities or guardians have the prerogative to exercise their rights over the personal data of minors under similar conditions to those of data subjects.
7. COLLECTION AND PROCESSING OF SPECIAL DATA
Personal data may be of a more sensitive nature in certain situations, classified by the General Data Protection Regulation (GDPR) as "special categories of data", which include, among others, health data.
The processing associated with special categories of data deserves increased protection in the GDPR and is subject to specific technical and organizational safeguards. In this sense, the addition of documentation that incorporates special categories of data should only be carried out when such data appear as instructive or optional documents in the forms made available and advertised by Ágora.
8. REASONS WHY DATA IS SHARED
Ágora only shares personal data with third parties in the exercise of public interest/public authority functions, in strict compliance with legal obligations, or with the prior consent of the holder.
9. SECURITY OF PERSONAL DATA
Ágora uses a set of technologies, tools and security procedures, making the best efforts to protect personal data from unauthorized access, use or disclosure.
10. HOW TO ACCESS AND CONTROL PERSONAL DATA
Ágora allows, at the request of its holder, access, rectification, limitation of treatment and erasure of personal data. The data subject also has the right to object to the processing of his/her personal data.
If the use of personal data is based on consent, the data subject has the right to withdraw it, without compromising the validity of the data processing carried out until that moment.
Ágora's Data Protection Officer (dpo@agoraporto.pt) can always be contacted to clarify all questions related to the processing of personal data and exercise of rights as a holder of personal data.
11. RIGHTS OF THE DATA HOLDER
The data subject has the following rights:
Right to be informed – right to be informed, in a clear, simple and transparent way, about the processing of your personal data by Ágora.
Right of access – right to access personal data concerning you and which are processed by Ágora.
Right of rectification – if you find that Ágora has incorrect, incomplete or inaccurate personal data that you own, you have the right to request its correction or rectification.
Right of opposition – right to oppose the processing of data by Ágora. However, legal or public interest grounds may prevail over the right of opposition.
Right of limitation – right to request the limitation of the processing of your personal data by Ágora, to certain categories of data or purposes of treatment. However, legal or public interest grounds may prevail over this right.
Right to erasure of personal data or "right to be forgotten" – right to request the erasure of your personal data, if there are no legal grounds or public interest that justify the conservation of that personal data.
Right to withdraw consent – whenever the processing of your personal data is carried out on the basis of your consent, you have the right to ask Ágora to stop carrying out this treatment.
Right to portability – right to receive personal data concerning you, in a commonly used and machine-readable digital format, or to request the direct transmission of your data to another entity, but in this case only if technically possible.
12. PERSONAL DATA RETENTION
Ágora retains personal data for the necessary and reasonable period and within the scope of the purpose(s) for which they are collected.
Conservation periods may change significantly when archival purposes of public interest or historical, scientific or statistical reasons justify it, and Ágora is committed to adopting appropriate conservation and security measures.
In order to determine the appropriate retention period, Ágora takes into account the various deliberations of the European data protection control authorities, namely the CNPD, and the Archival Regulation for Local Authorities (Portaria nº 412/2001, of 17 April and 1253/2009, of October 14).
The data will be deleted as soon as they are no longer necessary for the defined purpose(s) or when consent is withdrawn.
13. COOKIES AND SIMILAR TECHNOLOGIES
Ágora uses cookies (small text files that a website, when visited by the user, places on their computer or mobile device through the internet browser) to provide online services, assist in data collection and save settings, taking into account to improve performance and user experience.
14. SOCIAL NETWORKS
15. CONTACT INFORMATION
For more information about Ágora's privacy practices and personal data protection, you can send an email to: dpo@agoraporto.pt.
16. CHANGES TO THIS PRIVACY POLICY
This privacy and personal data protection policy will be updated regularly, whenever justified.
When changes to this policy are published, the respective update date will be changed at the same time.
It is recommended to periodically consult the privacy policy and protection of personal data to obtain information on how Ágora protects personal data and to update the information and rights of data subjects.
Suggestions for improvement can be made via email dpo@agoraporto.pt.
Last update date: May 11, 2022
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The DDD PRO is a segment of the DDD — Festival Dias da Dança which promotes workshops and training for professional dancers or dance students.
The DDD PRO is a segment of the DDD — Festival Dias da Dança which promotes workshops and training for professional dancers or dance students.
In its 4th edition, the Festival will have, again, a module dedicated to professionals and students of dance between April 22 and May 10, through workshops with Tom Weksler, Marcelo Evelin, Susan Klein, Thiago Granato, Vera Mantero e João dos Santos Martins.
The value of the DDD PRO workshops also includes the DDD Festival Pass Pro with 5 tickets of your choice.
Informations about the Workshops:
• 22 — 26 APRIL (10:00 — 15:45) / 200€ •
Tom Weksler | "Movement Archery"
The aim of this workshop is to allow space for personal research and introduce concepts and ideas which I find inspiring and enriching for my artistic works.
Tom Weksler has been practicing Martial Arts and different forms of acrobatic disciplines from a young age. Tom graduated in 2009 from “The Workshop For Dancers and Choreographers in Haifa”. Since 2010, Tom has been dancing with “Inbal Pinto and Avshallom Pollak Dance Company” and performed with the company’s productions in many theatres and festivals around the world. Tom is currently performing around the world the performance “Collective Loss Of Memory” - choreographed by “Rootlessroot” (Jozef Fruček and Lind Kapetanea) and produced by “Dot504”. Since 2017, Tom has been dancing with Guy Nader and Maria Campos Dance Company. As a creator Tom has been active since 2012 and he is mainly interested in artistic collaboration and multidisciplinary expression. Among tom's collaborators for past creations: Mayumu Minakawa, Yogi Dekel, Almog Loven, Matt Mulligan and Roser Tutusaus. Tom's movement workshops have taken place in Dance Schools, Circus Schools, Dojos and Professional Companies all over the world.
• 27 — 28 APRIL (11:00 — 16:00) / 100€ •
Marcelo Evelin | "The invention of Evilness"
This theoretical-practical meeting is part of his latest creation "Troublemaker". Horizontally and informally, the proposal is to open the construction site of this creation, sharing physical and performative practices and the conceptual discussions that inspired the process.
Marcelo Evelin born in Piauí (Brazil), is choreographer, researcher and performer. He lives and works between Amsterdam and Teresina. Based in Europe since 1986, working with dance and collaborated in projects with artists from various languages also on physical theater, music, video, installation and occupation of specific spaces. He is independent creator with his company Demolition Incorporada, established in 1995, and teaches at the Mime School of Amsterdam, Holland, where he also guides students in creative processes. He directs workshops and collaborative projects in several countries in Europe, USA, Africa, Japan, South America and Brazil, where he returned in 2006 and since then he has also been acting as manager and curator, having deployed in Teresina, Núcleo do Dirceu (2006-2013), an independent artist collective and research and development platform for Contemporary Performing Arts. In March 2016 he opened in Teresina, along with the cultural manager Regina Veloso, CAMPO, a new space to think, practice and disseminate art and related disciplines, and as part of the studio Demolition Incorporada. His performances Matadouro (2010) and Suddenly everything is black with people (2012) were presented in more than 18 countries and are still on tour. With the participation of more than 300 performers of different nationalities, Batucada (2014), a "performative event", continues in diffusion. Sick Dance, his latest creation, is inspired by the universe of Tatsumi Hijikata / JP. It premiered in May 2017 at the Kunsten Festival des Arts / Belgium and toured in Europe, Brazil and Japan. The Invention of Evil, its most recent creation that will premiere in April 2019, in Teresina, Brazil.
• 29 APRIL — 03 MAY (11:00 — 16:00) / 200€ •
Susan Klein | "Klein Technique™"
We will focus on a pivotal concept of Klein Technique™, moving from the deepest structural and energetic tissue of the body, the bone. We will explore the anatomy and function of the muscles of deep structural support: the psoas, the hamstrings, the pelvic floor, and the external rotators.
Susan Klein has been developing and teaching Klein Technique™ since 1972, teaching daily classes in New York City at her studio The Susan Klein School of Movement and Dance. Since 1989 she has been traveling throughout the world teaching intensive workshops in Klein Technique™. Klein Technique™ is a result of a serious knee injury and developed out of Susan’s personal journey to get well. It serves as a way for people to work through their individual injuries to understand and improve the workings of their bodies, to heal themselves and become better dancers. Her main influences in developing her work are Irmgard Bartenieff, Dr. Fritz Smith, and Professor J. R. Worsley. Susan has a private practice as a Movement Therapist, Certified Zero Balancer, Senior Zero Balancing Teacher, and Traditional 5 Element Worsley Style Acupuncturist, L. Ac., B. Ac. (UK), M.Ac. (USA), Dipl. Ac. (NCCAOM).
• 04 — 05 MAY (10:00 — 14:00) / 100€ •
Thiago Granato | "Choreoversations"
Through conceptual speculation, movement research, choreographic composition and performative writing, Thiago Granato will be sharing his creative methodologies in work situations where discussions around genealogy, authorship, appropriation, embodiment, autonomy, absence and presence will be embed into individual and collective performative practices.
The Brazilian performer and choreographer Thiago Granato lives in Berlin. His performances have been shown in Brazil, Uruguay, Israel, Spain, Germany, Sweden, Italy, France, the Lebanon and South Korea. He has collaborated with Lia Rodrigues, Cristina Moura, Mathilde Monnier, Jefta van Dinther and others. He took part in the Ex.e.r.ce 8 programme of the Centre chorégraphique national de Montpellier, and teaches at the Cullberg Ballet in Stockholm, the Modern Theater Dance Department of the AHK in Amsterdam, and elsewhere. In 2013/14 he was a fellow at the Akademie Schloss Solitude in Stuttgart, where he developed his current project, “CHOREOVERSATIONS”, which combines education, research, creation and the production of a trilogy of dance solos.
• 04 — 05 MAY (14:30 — 19:30) / 140€ •
Vera Mantero | "O Corpo Pensante"
Relaxation, the use of voice, writing, breathing and free association are some of the means being used in this workshop in order to get to the actions, structures and wishes of composition that help us at this moment.
Vera Mantero studied classical dance with Anna Mascolo and was a member of the Gulbenkian Ballet between 1984 and 1989. She has become one of the key names in New Portuguese Dance, having started her career as a choreographer in 1987, and having presented her work throughout Europe, as well as in Argentina, Uruguay, Brazil, Canada, South Korea, USA and Singapore. She has also engaged in voice work since 2000, singing the songs of several authors, and co-creating experimental music projects. In 1999, Culturgest organised a retrospective of her work to date, which was called“Mês de Março, Mês de Vera” [Month of March, Month of Vera]. She represented Portugal at the 26th São Paulo Biennial (2004) with “Comer o Coração” [Eating Your Heart Out], which was created in partnership with Rui Chafes. She received the Almada Award (Ministry of Culture, 2002) and the Gulbenkian Art Award (2009) for her career as creator and performer.
• 06 — 10 MAY (10:00 — 15:00) / 200€ •
João dos Santos Martins | "dança⇄sujeito⇄coreografia"
Starting from an analysis of choreographic regimes established as relationship systems, it is proposed to read, discuss, construct and practice different scores.
João dos Santos Martins was born in 1989. He has been working as a choreographer and performer since 2008, combining his work as a writer with such multiple collaborations as "Le Sacre du Printemps"(2013), with Min Kyoung Lee, "Self-entitled" (2015) with Cyriaque Villemaux, and "Anthropo-scenes" (2017) with Rita Natálio.
Subscriptions here
If you have any doubts, please contact dddpro@festivalddd.com
Organisation
Dias da Dança — Associação de Artes Performativas, Teatro Municipal do Porto - Rivoli . Campo Alegre / Câmara Municipal do Porto
Production
Relevo Residual
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