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Privacy Policy


1. INTRODUCTION


The protection of personal data is a priority of Ágora – Cultura e Desporto do Porto, EM., S.A. (hereinafter referred to as Ágora). The adopted privacy and personal data protection policy clarifies which personal data are collected, for what purposes they are used, which principles guide the use of such data and the rights that their holders enjoy.

Ágora is a local company of a municipal nature, endowed with statutory, administrative and financial autonomy, incorporated on September 29, 2006 (then as Porto Lazer E.M.), whose share capital is fully owned by the Municipality of Porto, under the terms of the Legal of Local Business Activity and Local Participations.

Its corporate purpose is the promotion and development of culture, physical activity and sport, other entertainment activities in the City, as well as the promotion and development of brands associated with the City of Porto, in addition to activities determined by the management of the spaces and equipment that are under its management.


2. CONTEXT


This policy applies to all those who, in any way, have a relationship with Ágora.


3. RESPONSIBLE FOR DATA PROCESSING


As the person responsible for processing the data entrusted to it, Ágora:

– Ensures that the processing of personal data is carried out within the scope of the purposes for which they were collected or for purposes compatible with the initial purposes;

– Assumes the commitment to implement a data minimization culture in which it only collects, uses and conserves necessary personal data;

– Does not disclose or share personal data for commercial or advertising purposes.


4. HOW PERSONAL DATA ARE USED


Ágora uses the personal data provided in an application, communication, complaint, participation or on the website, to respond to requests received, as well as for statistical purposes, continuity of service and participation in events.

In addition, it collects the information provided by its interlocutors, such as comments, suggestions and criticisms/complaints, with a view to constant improvement.


5. PERSONAL DATA COLLECTED


The personal data collected depends on the context of interactions with Ágora, within the scope of its activity.

The data collected may include the following items:


Identification:


– Name

– Age

– Tax identification number

– Citizen Card/Identity Card Number

– Social Security number


Financial/Payment Data:


– Bank identification number


Institutional data:


– Institutional email


Contacts:


– Household

– Email address

– Phone/mobile number


Image:


– Image of security cameras


6. PERSONAL DATA OF MINORS


The personal data of minors, the collection and processing of which does not result from a legal basis or from the exercise of public interest/public authority functions, will only be collected and processed with the express consent of the holders of parental responsibilities or guardians. Holders of parental responsibilities or guardians have the prerogative to exercise their rights over the personal data of minors under similar conditions to those of data subjects.


7. COLLECTION AND PROCESSING OF SPECIAL DATA


Personal data may be of a more sensitive nature in certain situations, classified by the General Data Protection Regulation (GDPR) as "special categories of data", which include, among others, health data.

The processing associated with special categories of data deserves increased protection in the GDPR and is subject to specific technical and organizational safeguards. In this sense, the addition of documentation that incorporates special categories of data should only be carried out when such data appear as instructive or optional documents in the forms made available and advertised by Ágora.


8. REASONS WHY DATA IS SHARED


Ágora only shares personal data with third parties in the exercise of public interest/public authority functions, in strict compliance with legal obligations, or with the prior consent of the holder.


9. SECURITY OF PERSONAL DATA


Ágora uses a set of technologies, tools and security procedures, making the best efforts to protect personal data from unauthorized access, use or disclosure.


10. HOW TO ACCESS AND CONTROL PERSONAL DATA


Ágora allows, at the request of its holder, access, rectification, limitation of treatment and erasure of personal data. The data subject also has the right to object to the processing of his/her personal data.


If the use of personal data is based on consent, the data subject has the right to withdraw it, without compromising the validity of the data processing carried out until that moment.


Ágora's Data Protection Officer (dpo@agoraporto.pt) can always be contacted to clarify all questions related to the processing of personal data and exercise of rights as a holder of personal data.


11. RIGHTS OF THE DATA HOLDER


The data subject has the following rights:


Right to be informed – right to be informed, in a clear, simple and transparent way, about the processing of your personal data by Ágora.


Right of access – right to access personal data concerning you and which are processed by Ágora.


Right of rectification – if you find that Ágora has incorrect, incomplete or inaccurate personal data that you own, you have the right to request its correction or rectification.


Right of opposition – right to oppose the processing of data by Ágora. However, legal or public interest grounds may prevail over the right of opposition.


Right of limitation – right to request the limitation of the processing of your personal data by Ágora, to certain categories of data or purposes of treatment. However, legal or public interest grounds may prevail over this right.


Right to erasure of personal data or "right to be forgotten" – right to request the erasure of your personal data, if there are no legal grounds or public interest that justify the conservation of that personal data.


Right to withdraw consent – whenever the processing of your personal data is carried out on the basis of your consent, you have the right to ask Ágora to stop carrying out this treatment.


Right to portability – right to receive personal data concerning you, in a commonly used and machine-readable digital format, or to request the direct transmission of your data to another entity, but in this case only if technically possible.


12. PERSONAL DATA RETENTION


Ágora retains personal data for the necessary and reasonable period and within the scope of the purpose(s) for which they are collected.


Conservation periods may change significantly when archival purposes of public interest or historical, scientific or statistical reasons justify it, and Ágora is committed to adopting appropriate conservation and security measures.


In order to determine the appropriate retention period, Ágora takes into account the various deliberations of the European data protection control authorities, namely the CNPD, and the Archival Regulation for Local Authorities (Portaria nº 412/2001, of 17 April and 1253/2009, of October 14).

The data will be deleted as soon as they are no longer necessary for the defined purpose(s) or when consent is withdrawn.


13. COOKIES AND SIMILAR TECHNOLOGIES


Ágora uses cookies (small text files that a website, when visited by the user, places on their computer or mobile device through the internet browser) to provide online services, assist in data collection and save settings, taking into account to improve performance and user experience.



14. SOCIAL NETWORKS


Facebook

Instagram

Youtube

Linkedin


15. CONTACT INFORMATION


For more information about Ágora's privacy practices and personal data protection, you can send an email to: dpo@agoraporto.pt.


16. CHANGES TO THIS PRIVACY POLICY


This privacy and personal data protection policy will be updated regularly, whenever justified.


When changes to this policy are published, the respective update date will be changed at the same time.


It is recommended to periodically consult the privacy policy and protection of personal data to obtain information on how Ágora protects personal data and to update the information and rights of data subjects.


Suggestions for improvement can be made via email dpo@agoraporto.pt.


Last update date: May 11, 2022

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O POÇO
Sat

 

13

.

05


2017

PARTILHAR:

MORE 

CATEGORY

O POÇO

Rebecca Moradalizadeh

— Artista Plástica —

O poço. O fundo de um poço.

Um espaço oculto revestido pela imensidão do negro que dificulta a perceção visual e espacial do espetador que tem apenas um ponto inicial de focagem: um som denso, grave e persuasivo.

O espetador torna-se parte integrante da peça. O processo anterior - o discurso antecipado, o percurso realizado e a entrega de uma máscara - vem questionar e preparar o indivíduo para um momento algo tenebroso, algo surpreendente. Finalmente é encaminhado para uma estrutura metálica onde irá permanecer de pé durante toda a viagem, posicionado sobre os varandins que permitem visualizar o interior do espaço de atuação.

Por entre murmúrios e o som de fundo, a peça progride através de uma derrocada sonora, de queda livre, que trespassa todo o espaço vertical. Ouvem-se moedas cintilantes a cair e a bater no fundo do poço. Não se sabe de onde vêm e para onde vão.

Lentamente a escuridão desvanece, dando lugar a jogos de luz e sombra através de focos rasantes que iluminam parcialmente o cenário, sobressaindo um buraco negro ao centro.

Um grito. De repente um conjunto de seres emerge da paisagem árida e começa a correr militarmente em torno da cavidade, levando a uma exaustão dos corpos. Sobressaem-se os pontos luminosos presos aos pés que criam um raio fugaz no solo.

O poço torna-se num espaço onde variadas dimensões espaciais são exploradas. A intangibilidade manipulada através da composição sonora e a sua espacialização absoluta tem a capacidade de hierarquizar a presença humana inserida nos diferentes patamares de ação. Essa massa sonora imensurável inicialmente atribui ao espetador uma escala inferior no espaço, mas posteriormente é-lhe concebido um certo poder altivo com o surgimento dos intérpretes que se encontram “no fundo do poço”.

A certo ponto o espetador descobre que está perante um delírio onde o corpo é explorado e (e)levado a um nível multissensorial através de imagens e ações fugazes que surgem do solo; de flashadas de luzes polirrítmicas intercaladas pelo imenso nevoeiro no ar rarefeito criando visões ilusórias no vácuo e no solo, por estrondosas ressonâncias sonoras emitidas em todas as direções, conduzindo-o a um sucessivo ciclo vicioso - a um buraco sem fim.

Dois vultos imprevisivelmente levam para cena duas motas, uma fora do poço, outra dentro. Através da mecanização dos motores exacerbam a componente sonora e originam um dueto compulsivo e acelerado à ação. O indivíduo fora do poço cria um cenário impetuoso com a mota à medida que contorna velozmente o círculo e cria no solo outras derrapagens circulares. O ritmo e som do motor e a combinação de poeira e fumo em seu redor dão uma sensação vertiginosa a quem está de fora.

Por entre as brumas surgem os restantes membros da tripulação, que num ritmo mais pausado apagam em círculo os vestígios remanescentes na paisagem negra. Novos vestígios surgem, novos vestígios desvanecem.

Sobrepõe-se uma onda de fumo massiva que contamina toda a área e progressivamente cria ondas hipnotizantes de propagação. Surge o som de um coro de vozes que reverbera pelo espaço apaziguando o cenário.

O corpo vertiginoso vibra, intoxica e hipnotiza.

A derradeira imagem recordada é a da derrocada de detritos físicos que caem em queda livre a diferentes velocidades para dentro do poço, para cima dos corpos que se encontram já em repouso total, resultando um cenário caótico e de ruína.

Acendem-se as luzes nos patamares superiores atenuando todo o registo telúrico, onde apenas restam os nossos corpos que acordam, retiram as máscaras, observam e abandonam a máquina.

Nota: Imagem criada a partir de palavras (chave) retiradas do artigo do Ípsilon

https://www.publico.pt/2017/05/13/culturaipsilon/noticia/a-volta-de-um-buraco-negro-esta-o-teatro-em-queda-livre-1771362

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