Bananada: OPERANTÍPODA (parte I)

Ritual
Confluence
Multiplicity
Vibration

premiere

Bananada: OPERANTÍPODA (parte I)
© Elias Medeiros

BANANADA: OPERANTÍPODA (parte I) is a physical and sound choreographic object created for and with eight artist-collaborators from Demolition Incorporada. It's an opera unearthed from the primordial tropics — resurrected from a remote time — torn apart, cacophonous, stammered, stuttered and sung in dissonant voices, as the antithesis and outburst of extreme emotions in precarious forms of life. It’s an opera of opposites and oppositions, reconstructed in the fiction of an invented memory. OPERANTÍPODA is the first moment of BANANADA, which consists of a creation for 24 performers, including artists and non-artists from the local community of the city where it is presented. BANANADA has as its main axis the “excavation” of a series of practices used in previous creations, starting from simple and direct exercises focused on how to be together. — Marcelo Evelin / Demolition Incorporada 

premiere

12

1H
age rating to be defined by CCE

Credits

Concept and choreography 

Marcelo Evelin 

 

Created and performed by 

Andrez Ghizze, Bruno Moreno, Gui de Areia, Hitomi Nagasu, Márcio Nonato, Vanessa Nunes, Rosângela Sulidade 

 

Dramaturgy 

Carolina Mendonça 

 

Sound

Chico Leibhoz 

 

Produced by 

Sofia Matos (Materiais Diversos), Regina Veloso (Casa de Produção) and Gabi Gonçalves (Corpo Rastreado) 

 

Co-produced by and with the support of 

DDD – Festival Dias da Dança, Centre chorégraphique national de Caen en Normandie, dans le cadre du dispositif Accueil-studio/ministère de la Culture, Charleroi Danse, Agora – Montpellier Danse, DeVIR CAPa, SPRING Performing Arts Festival 

Observations

Text in Portuguese

Accessibility

Accessible to wheelchair users