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BANANADA: OPERANTÍPODA (parte I) is a physical and sound choreographic object created for and with eight artist-collaborators from Demolition Incorporada. It's an opera unearthed from the primordial tropics — resurrected from a remote time — torn apart, cacophonous, stammered, stuttered and sung in dissonant voices, as the antithesis and outburst of extreme emotions in precarious forms of life. It’s an opera of opposites and oppositions, reconstructed in the fiction of an invented memory. OPERANTÍPODA is the first moment of BANANADA, which consists of a creation for 24 performers, including artists and non-artists from the local community of the city where it is presented. BANANADA has as its main axis the “excavation” of a series of practices used in previous creations, starting from simple and direct exercises focused on how to be together. — Marcelo Evelin / Demolition Incorporada
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Credits
Concept and choreography
Marcelo Evelin
Created and performed by
Andrez Ghizze, Bruno Moreno, Gui de Areia, Hitomi Nagasu, Márcio Nonato, Vanessa Nunes, Rosângela Sulidade
Dramaturgy
Carolina Mendonça
Live sound composition
To be defined
Produced by
Sofia Matos (Materiais Diversos), Regina Veloso (Casa de Produção)
Co-produced by and with the support of
DDD – Festival Dias da Dança, Centre chorégraphique national de Caen en Normandie, Charleroi Danse, Agora – Montpellier Danse, DeVIR CAPa, SPRING Performing Arts Festival
Credits
Text in Portuguese
Credits