For this workshop, I'd like to share some of the useful ideas that we practice during the process of FUGACES. In this piece, we cited the ghost of Carmen Amaya, a flamenco figure whose story and dance became the driving force behind our research. 
How, through our imaginations and a sensitive approach, can we reactivate a body from the past? A distant dance? We'll be working with the body's rhythm and music, and exploring different qualities and movement sequences, using video archives to generate a physical state in which this figure appears. — Aina Alegre