Temporalities
Resistance
Stories
Legacy

national premiere

Libya 4
Libya 3
Libya 2
Libya 1

Imperial history often relies on the idea of temporality, assigning discrete units of time to the past, present and future. In Libya, Radouan Mriziga seeks to challenge this narrow view of time. Through his art, he seeks to reappropriate history, connecting it to the present and opening it up to a range of perspectives. The legacy of North African crafts, inventions, science, cultures and philosophy is traditionally passed down through the energy of nine performers. It resonates with Mriziga's family and with forms of Western knowledge and is celebrated in a human and artistic epic. Mriziga's work seeks to create a non-imperial potential history, one that can be experienced as a single unit and continuity of knowledge and universal flow.— Radouan Mriziga

national premiere

9

1H
6+

Credits

Concept and choreography
Radouan Mriziga 

Created and performed by
Sondos Belhassen, Mahdi Chammem, Hichem Chebli, Bilal El Had, Maïté Minh Tâm Jeannolin, Senda Jebali, Feteh Khiari, Myriam Rabah-Konaté 

Scenography
Radouan Mriziga 

Costume design
Anissa Aidia, Lila John 

Lighting
Radouan Mriziga 

Poem
And set them alight by Asmaa Jama 

Assistance
Aïcha Ben Miled, Nada Khomsi, Khalil Jegham 

Production
A7LA5 vzw L'Art Rue/ Dream City 

Coproduction
Festival de Marseille, L’Art Rue, deSingel, Abu Dhabi Cultural Foundation, C-Mine, Moussem Nomadisch kunstencentrum 

Residencies
Kaaitheater Brussels L’Art Rue Tunis 

With the support of
Flemish Government 

Management and distribution
Something Great 

Observations

Text in English and Arabic