Starting from an analysis of choreographic structures established as relationship systems, it is proposed to read, discuss, construct and practice different drafts. Because of its specificity, situated not in the body’s skilling’s, but in the way certain relationship parameters and protocols are activated, these scores imply a dialogue between the choreographic object and the subject that interprets, activates and updates it at each moment. Searching the points of intersection between dance and choreography, and how both interact in making appear from one and the other, will be the guiding principle of the workshop governed by a collective dynamics of knowledge sharing.