Newsletter
Thank you! Please confirm your email.
1. INTRODUCTION
The protection of personal data is a priority of Ágora – Cultura e Desporto do Porto, EM., S.A. (hereinafter referred to as Ágora). The adopted privacy and personal data protection policy clarifies which personal data are collected, for what purposes they are used, which principles guide the use of such data and the rights that their holders enjoy.
Ágora is a local company of a municipal nature, endowed with statutory, administrative and financial autonomy, incorporated on September 29, 2006 (then as Porto Lazer E.M.), whose share capital is fully owned by the Municipality of Porto, under the terms of the Legal of Local Business Activity and Local Participations.
Its corporate purpose is the promotion and development of culture, physical activity and sport, other entertainment activities in the City, as well as the promotion and development of brands associated with the City of Porto, in addition to activities determined by the management of the spaces and equipment that are under its management.
2. CONTEXT
This policy applies to all those who, in any way, have a relationship with Ágora.
3. RESPONSIBLE FOR DATA PROCESSING
As the person responsible for processing the data entrusted to it, Ágora:
– Ensures that the processing of personal data is carried out within the scope of the purposes for which they were collected or for purposes compatible with the initial purposes;
– Assumes the commitment to implement a data minimization culture in which it only collects, uses and conserves necessary personal data;
– Does not disclose or share personal data for commercial or advertising purposes.
4. HOW PERSONAL DATA ARE USED
Ágora uses the personal data provided in an application, communication, complaint, participation or on the website, to respond to requests received, as well as for statistical purposes, continuity of service and participation in events.
In addition, it collects the information provided by its interlocutors, such as comments, suggestions and criticisms/complaints, with a view to constant improvement.
5. PERSONAL DATA COLLECTED
The personal data collected depends on the context of interactions with Ágora, within the scope of its activity.
The data collected may include the following items:
Identification:
– Name
– Age
– Tax identification number
– Citizen Card/Identity Card Number
– Social Security number
Financial/Payment Data:
– Bank identification number
Institutional data:
– Institutional email
Contacts:
– Household
– Email address
– Phone/mobile number
Image:
– Image of security cameras
6. PERSONAL DATA OF MINORS
The personal data of minors, the collection and processing of which does not result from a legal basis or from the exercise of public interest/public authority functions, will only be collected and processed with the express consent of the holders of parental responsibilities or guardians. Holders of parental responsibilities or guardians have the prerogative to exercise their rights over the personal data of minors under similar conditions to those of data subjects.
7. COLLECTION AND PROCESSING OF SPECIAL DATA
Personal data may be of a more sensitive nature in certain situations, classified by the General Data Protection Regulation (GDPR) as "special categories of data", which include, among others, health data.
The processing associated with special categories of data deserves increased protection in the GDPR and is subject to specific technical and organizational safeguards. In this sense, the addition of documentation that incorporates special categories of data should only be carried out when such data appear as instructive or optional documents in the forms made available and advertised by Ágora.
8. REASONS WHY DATA IS SHARED
Ágora only shares personal data with third parties in the exercise of public interest/public authority functions, in strict compliance with legal obligations, or with the prior consent of the holder.
9. SECURITY OF PERSONAL DATA
Ágora uses a set of technologies, tools and security procedures, making the best efforts to protect personal data from unauthorized access, use or disclosure.
10. HOW TO ACCESS AND CONTROL PERSONAL DATA
Ágora allows, at the request of its holder, access, rectification, limitation of treatment and erasure of personal data. The data subject also has the right to object to the processing of his/her personal data.
If the use of personal data is based on consent, the data subject has the right to withdraw it, without compromising the validity of the data processing carried out until that moment.
Ágora's Data Protection Officer (dpo@agoraporto.pt) can always be contacted to clarify all questions related to the processing of personal data and exercise of rights as a holder of personal data.
11. RIGHTS OF THE DATA HOLDER
The data subject has the following rights:
Right to be informed – right to be informed, in a clear, simple and transparent way, about the processing of your personal data by Ágora.
Right of access – right to access personal data concerning you and which are processed by Ágora.
Right of rectification – if you find that Ágora has incorrect, incomplete or inaccurate personal data that you own, you have the right to request its correction or rectification.
Right of opposition – right to oppose the processing of data by Ágora. However, legal or public interest grounds may prevail over the right of opposition.
Right of limitation – right to request the limitation of the processing of your personal data by Ágora, to certain categories of data or purposes of treatment. However, legal or public interest grounds may prevail over this right.
Right to erasure of personal data or "right to be forgotten" – right to request the erasure of your personal data, if there are no legal grounds or public interest that justify the conservation of that personal data.
Right to withdraw consent – whenever the processing of your personal data is carried out on the basis of your consent, you have the right to ask Ágora to stop carrying out this treatment.
Right to portability – right to receive personal data concerning you, in a commonly used and machine-readable digital format, or to request the direct transmission of your data to another entity, but in this case only if technically possible.
12. PERSONAL DATA RETENTION
Ágora retains personal data for the necessary and reasonable period and within the scope of the purpose(s) for which they are collected.
Conservation periods may change significantly when archival purposes of public interest or historical, scientific or statistical reasons justify it, and Ágora is committed to adopting appropriate conservation and security measures.
In order to determine the appropriate retention period, Ágora takes into account the various deliberations of the European data protection control authorities, namely the CNPD, and the Archival Regulation for Local Authorities (Portaria nº 412/2001, of 17 April and 1253/2009, of October 14).
The data will be deleted as soon as they are no longer necessary for the defined purpose(s) or when consent is withdrawn.
13. COOKIES AND SIMILAR TECHNOLOGIES
Ágora uses cookies (small text files that a website, when visited by the user, places on their computer or mobile device through the internet browser) to provide online services, assist in data collection and save settings, taking into account to improve performance and user experience.
14. SOCIAL NETWORKS
15. CONTACT INFORMATION
For more information about Ágora's privacy practices and personal data protection, you can send an email to: dpo@agoraporto.pt.
16. CHANGES TO THIS PRIVACY POLICY
This privacy and personal data protection policy will be updated regularly, whenever justified.
When changes to this policy are published, the respective update date will be changed at the same time.
It is recommended to periodically consult the privacy policy and protection of personal data to obtain information on how Ágora protects personal data and to update the information and rights of data subjects.
Suggestions for improvement can be made via email dpo@agoraporto.pt.
Last update date: May 11, 2022
AT HOME
20.04 — 30.04
Site & YouTube DDD
Free
Portugal
que Dançais a pioneer project: it is the first documentary series produced about
Portuguese contemporary dance, giving visibility to the most recent generation
of dance creators in Portugal.
Directed
by Cristina Ferreira Gomes, written by Luiz Antunes and produced by Mares do
Sul, Portugal que Dança follows the daily life of young creators,
follows their creative construction routine, showing their works, their
aspirations and the intersection with different artistic subjects.
Produced
for RTP2, the series was supported by Teatro Municipal do Porto, Calouste
Gulbenkian Foundation and GDA Foundation.
In 2021,
within the partnership that unites DDD - Festival Dias da Dança and RTP2, we
present seven episodes of this series. Seven episodes that focus on creators
programmed, this year, by DDD. Keeping the international audience in mind,
namely the foreign programmers, the episodes were subtitled in English and are
available from 20th to 30th April on DDD's YouTube
channel and on the artists' pages on the festival's website.
At the
same time that, on stage or at home, we discover the most recent works by
Jonas&Lander, Marco da Silva Ferreira, Catarina Miranda, Teresa Silva, São
Castro and António M Cabrita, Cláudia Dias and Victor Hugo Pontes, watching Portugal
que Dança allows us to dive into the recent past and to get to know the
creative path of these creators.
EPISODE #1 - LANDER PATRICK AND JONAS LOPES
Lander
Patrick and Jonas Lopes are preparing their new creation, Adorabilis.
They are leaving for an artistic residency at Espaço do Tempo, in
Montemor-o-Novo. The documentary follows the daily intense work routine of the
duo of creators between rehearsals, costume fitting and preparation of the
first public presentation. From the residency in Alentejo, we continue our journey
until the eve of the piece's premiere in Lisbon. Throughout the documentary, we
can verify the choreographic evolution, the transformation that the show goes
through and also get to know the creative world of this duo of choreographers.
(Flashforward
to 2021: Jonas&Lander premiere Bate Fado at the Grand Auditorium of
Teatro Rivoli and on the Virtual Stage of BOL)
EPISODE #2
- MARCO DA SILVA FERREIRA
Filmed
between Lisbon and Paris, the documentary follows the rehearsals of Brother:
we see the intense coordination work of the group of dancers, the creative
isolation, the transition from the rehearsal room to the stage and the premiere
at the Teatro São Luiz, in Lisbon. We travel with the group to Paris where the
choreographer will present the piece to the French audience in the cycle
Chantiers d'Europe, organised by Thêatre de La Ville.
(Flashforward
to 2021: Marco da Silva Ferreira joins director Jorge Jácome and premieres SIRI at Teatro Campo Alegre and on the Virtual Stage of BOL)
EPISODE #3 - CATARINA MIRANDA
In artistic residency, Catarina Miranda prepares Boca Muralha, the last part of a trilogy that we will get to know throughout the documentary. We see the evolution of the technical work, the importance of the costumes and set and we witness the creative persistence and rigour in the construction of the choreography. Besides following the rehearsals, we visit previous works and experts who talk about the creative world of the choreographer.
(Flashforward
to 2021: Catarina Miranda premieres CABREQIMERA at Teatro Rivoli and on
the Virtual Stage of BOL)
EPISODE #4 – TERESA SILVA
Rehearsal
room, at O Espaço do Tempo, in Montemor-o-Novo, Portugal. Teresa Silva works on Nova Criação with Filipe Pereira. In the ambience of the old convent of
Nossa Senhora da Saudação, we follow the choreographer's daily artistic
residency. The creation dialogues, the construction of the concept, the
attempts to define the first movements. We watch the work evolve until the day
of the public presentation.
(Flashforward to 2021: Teresa Silva, with Sara Anjo, presents Oráculo in Serralves and an audiovisual object from that same piece on the Virtual Stage of BOL)
EPISODE
#5 - SÃO CASTRO AND ANTÓNIO M CABRITA
This is a look at the elaboration process of the performance Rule of Thirds, by this duo of choreographers, artistic directors of Companhia Paulo Ribeiro, at Teatro Viriato, in Viseu. We witness the concerns, the daily effort and dedication put into the development of the creation. In a context of great proximity with the creators and the two dancers that accompany them, this episode goes through the questions in the search for a perfect work having as a starting point the work of Henri Cartier Bresson.
(Flashforward
to 2021: São Castro and António M Cabrita present Last at Teatro
Municipal de Matosinhos Constantino Nery and on the Virtual Stage of BOL)
EPISODE #6 – CLÁUDIA DIAS
In this
film we experience the daily creation of Cláudia Dias and we follow her
political engagement, from the International Workers' Day March to the
International Women's Day, in a contextualization of her work with a strong
activist and political slant. And, at the same time that the creation is
consolidated, with the transition to the stage of the Teatro Maria Matos, in
Lisbon, with the premiere and subsequent presentations, we revisit previous
works, we film her social project with children from public schools and we
listen to the reflections of experts on her work.
(Flashforward
to 2021: Cláudia Dias presents Quinta-Feira: Abracadabra on
the Virtual Stage of BOL)
EPISODE #7
– VICTOR HUGO PONTES
Rehearsal
room at Teatro do Campo Alegre, in Porto, Victor Hugo Pontes tries to solve the
evolution of the choreography of the next show. The dancers raise questions,
the rehearsals take a long time, doubts arise. There is the incessant
repetition of movements until exhaustion, the refinement of perfection. We
watch the tremendous effort of creation, in a total artistic immersion. The
team travels to Lisbon. The premiere is approaching, as is the tension and the
need to adapt the choreography to the space of the stage. We witness the daily
work: the movements, the light, the music, the set. And, in between, we visit
previous works.
(Flashforward
to 2021: the last creation by Victor Hugo Pontes, Os Três Irmãos, is
presented at Teatro Rivoli and on the Virtual Stage of BOL)
Thank you! Please confirm your email.