Through this workshop, Ferlin primarily wants to research the notions of working on the performer’s body by offering participants a reversal of established ideas about stage movement, those that prevail within the so-called classical theatrical process. He is also interested in examining and practicing “togetherness” through tasks, assignments and improvisations. He will offer ways and methods that will help the participant to work on the state of complete performative wakefulness and to be able to listen to the overgrowth of the silence that’s springing out of a still body once it has been placed in a performative context.